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Say “I love you”

Anthony Natoli sent us a first music video in January called Solution shot entirely on his iphone. We were so impressed by the exuberant results that we asked him to share his process with Luna fans on our blog. Below is a second guest post featuring his expansive and euphoric video, Only the Lonely.

“The response I got after we released Solution fueled me to continue to push the boundaries of both the camera and my self.

My first video took place in Winter so, logically, Spring was going to be the backdrop of the next one. And, since I used New York as a back drop the first time, I thought, “Well – how about an American road trip?”

Anthony blog 5

I drove around the country for four weeks, clocking in over thirteen thousand miles. You fill up on more than gasoline to endure this. I was so grateful to have so many places to stop and rest on my way, from friends to family to our national parks. Luna Guitars was our biggest cheerleader, supplying not only a place for me to stay and recharge, but giving our team, The Force, two beautiful acoustic guitars from their Henna line.

Anthony blog 6

The singer, LoLo (Lauren Pritchard), is a friend who we met last year. She came into our studio for a writing session on the same day she received news of an unfortunate tragedy. We didn’t write that day, but we connected deeply over a conversation that lasted hours. She came back the next week and we wrote this song. During the time between sessions, I heard my father tell a clerk at 7/11 that he loved them. It’s sort of his catchphrase, and a good one. When the clerk asked why he always said that, my father replied, “What if tomorrow never comes?”

That really struck me as truth. What happens if you don’t say “I love you” today? I was thinking about Lauren throughout that week, and the conversation we had about life, death, and love. When we all walked back in the room there was something obvious that needed to be written about. She had a title, I had a great opening line, and about an hour later we watched a beautiful song unfold. It was pretty magical. There’s nothing more incredible than a song writing itself.

say i love you

I had a vision of a large group of people singing the words “I love you,” which turned out to be the bridge section of the song. Lauren has this way of phrasing a melody just right. It was simple, but it was the seed that grew into the video.  I had also kept a pinterest board to help me catalog some of the visuals I was seeing in my head, just as I did the last time.

I shot the goodbye sequence with Shannon McBride and Jacob Bitzer with creative input from my writer friend Brian Martinez who helped me to finalize the vision of this section. I’ve never directed actors before, but felt very fortunate to be working with such talented people. Working with LoLo on her performance shot was of equal importance, and just as easy. I saw her as a preacher speaking the truth, who is reminding the world about what is important in life. We filmed it in her hometown in Tennessee. In my mind I saw a golden field, with the sun just on the horizon. Her parents showed me the perfect spot just around the corner from their home and the results far exceeded my expectations.

Anthony blog 1

When I came home from the perfect journey around the perimeter of the United States, I began piecing the video together. Cutting the road trip footage as I filmed the goodbye sequence, LoLo’s performance and The Force’s rooftop performance in Brooklyn overlooking the Manhattan Skyline, I watched the scattered pieces of a puzzle start to make sense. It took longer than the last video by two months, mainly because it was much more complex.

Anthony Natoli rooftop

Many things tried to stand in my way of doing this video. We had some late Winter snow that twice stopped me from leaving on my journey. Some people will support you when you begin something as bold and as ambitious as driving around the U.S. by yourself for months, but others will tell you it’s not worth it, or a waste of time. But I believe that if you don’t play the game, you can’t possibly win. Winning to me is simply making your vision a reality. So just go out there and do what’s in your heart. Turn obstacles into opportunities, and you can complete any action.”

Anthony and his guitar player John Secolo used Luna’s Henna Oasis and Sahara guitars in the video.

If you missed the first installment, view Solution and read about Anthony’s creative process.

Follow Anthony on Instagram.

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These torso stretches are ideal to do while practicing because you don’t have to take off your guitar. For best results, your feet should be shoulder width apart and you should be balanced firmly on your pelvis with knees slightly bent. Always remember these 4 things:

Relax in a comfortable position.
Stretch slowly in a NO PAIN range of motion.
Stretch as needed or at least every 1 – 1.5 hours.
Remember to stretch both sides!

Torso Stretch 1

This first stretch can be started using the last stretch from our hand stretch series.

photo5

This time, with fingers interlaced, raise your hands slowly in front of your body until they are directly above your head. Stretch upwards and hold 10-15 seconds.

photo6

Then, in the same position being sure to keep hands directly over head, bend slowly to one side and hold for 10-15 seconds. Then bend slowly to the other side, keeping your spine straight and hold for equal amount of time.

photo7

Torso Twist

Place your hands in a comfortable position resting on your guitar. If you’re playing an electric, you can place your hands at your hips or in prayer position.

photo13

Twist your torso slowly to one side. Allow your head to move into the twist as well. Once again, don’t force it. As you twist, look as far to that side as you can just by moving your eyes. This makes the twist more energizing. Hold the twist for 10 to 15 seconds, breathing deeply and fully into the lower abdomen and lower back. When you’re finished, repeat the twist in the other direction.

photo2

Neck Rolls

Begin with shoulder blades back and down. Keeping your shoulders in this position, lower your chin gently to your chest and hold here for a few seconds.

photo-4

Now bring your left ear to your left shoulder, dropping your right shoulder for maximum stretch and hold.

photo12

Gently raise your chin towards the ceiling, being careful not to let the head fall back without control.

chin

Now bring right ear to right shoulder wile dropping left shoulder and hold.

photo-3

Finally come back to chin to chest. Remember to breathe slowly and repeat 3 – 5 times.

Torso Stretch 2

Begin with fingers interlaced behind your back as in picture below

photo4

Lift arms to stretch upper arms and back. Hold as long as comfortable.

photo1

Bending over slightly, raise arms even higher to give your lower back a nice stretch. Again, hold as long as comfortable

photo3

We hope these stretches will help you keep your body happy during your practice sessions. Treat it as a magnificent and irreplaceable instrument that deserves your TLC. And don’t forget to hydrate!

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2005
As a brand new company, we were so down to the wire at our first Jan 2005 NAMM show that some prototypes were actually being shipped to the hotel! Our first catalogue did not take shape until 2006.

2006
In 2006 Luna was still a female-centric instrument line. The 2006 cover featured a hennaed hand playing a Henna guitar and inside pages were lush with layers and textures. It was also filled with inspiring quotes on each page. The front cover urged the reader to:
“Take down a musical instrument…let the beauty you love be what you do.” Rumi
The back cover encouraged players to:
“Like the moon, come out from behind the clouds! Shine.” Siddhartha
This year was the birth of our “Fantasie” series featuring classic Pre-Raphaelite artwork as well as our Andromeda electrics.

2006 cover

2006 inside Fantasie

2006 inside Andromeda

2006 back cover

view the entire 2006 catalogue here.

2007

2007 continued the tradition set in our first catalogue by offering an even richer palate with a vintage leather book cover featuring a classic piece of art entitled “Passion” by Frank Dicksee (1853-1928). We took the liberty of adding our Henna guitar as well as Henna ornamentation on the sensuous dancing girl’s hands and feet. Each page of the catalogue also offered inspirational sayings and began another tradition by offering a message from Luna’s muse, Yvonne de Villiers.

Yvonne’s letter for 2007

My grandmother’s name was Luz which means light, from the Latin “lucere”…to shine. Music became a big part of my life as I watched my mother Hilda, an incandescent spirit, blaze her way through her career as an electric bass player in a male oriented field. My own professional path involved 30 years as a professional stained glass artist “sculpting” light. It seems almost as though I was fated, and it’s certainly a high honor, to be filling the role of artistic designer and creative director for Luna Guitars. …elegant instruments with musical integrity crafted to inspire players of all ages and walks of life to let their own unique lights shine.

Our 2007 catalogue is dedicated to the radiance within us all. It has no edges. It permeates and shines through everything. Everywhere. Always. In the end, we are all light.

Luna Guitars’ name sake is the moon that shines by reflecting the constant light of the sun. Like the moon, we wax and wane. Sometimes we feel bright and clear and sometimes we find ourselves in darkness. But the source of light is always there. I encourage you to remember that always…especially in dark or challenging times.

So, enjoy our offerings, enjoy the inspiration and remember to let your light shine!

2007 catalogue front

2007 Letter

2007 Flora & Fauna

2007 inside2

2007 back

view the entire 2007 catalogue here

2008

During 2007, we received may letters from males who were attracted to Luna instruments but were, understandably, hesitant to purchase instruments that they believed to be crafted for females. It was never Luna’s intention to exclude males, but rather to help females feel more included in the music industry. In 2008 we broadened our design efforts so that Luna would be perceived as a more gender neutral rather than gender specific company. The cover, which continued the vintage book look, reflected this new direction. Inspirational quotes became a mainstay of Luna catalogues that have continued into the present.

Yvonne’s letter for 2008:

As those of you who are familiar with Luna’s story know, I was inspired to start Luna Guitars with the aim of bringing balance to the marketplace by providing quality instruments for females … guitars that were ergonomically friendly as well as visually striking. Luna instruments were embraced by both female and male players because of the innovative ornamentation and the comfort factor. Beyond that, the company has received many letters from owners speaking to the authenticity and substance of Luna’s designs that engage players on a deeper level. As a result of this heartfelt feedback from players, Luna has entered a new phase.

Our revised mission statement puts it all together: “At Luna Guitars, our mission is designing inspired quality instruments that are physically comfortable, aesthetically engaging and spiritually nourishing.”
With more people than ever making music on this planet, and because music is our world’s universal language … Luna is pleased to speak to players’ hearts by making instruments that touch the body, the mind and the spirit.

2008 front

2008 muse

2008 apollo

2008 back

view the enire 2008 catalogue here

2009 & 2010

Unfortunately, Luna did not have catalogues in 2009 & 2010, but rather foldable posters with small images of all of our instruments. The  images below show the front of the posters when folded.

2009

2010

2011

By 2011, our growing Luna family of players was developing a sense of tribe.
We decided to use pictures of everyday players on the front and back of our catalogue to honor and celebrate the loyal grassroots advocates that we owe our success to. This catalogue was a departure from our previous catalogues as it had a much cleaner background and was animated by lifestyle shots featuring every day Luna players.

Yvonne’s letter for 2011:

For this year’s cover, we chose to feature some of the many players who have sent us their pictures: players so various they may seem connected by a love of music and nothing else. Don’t be fooled. We’ve learned over the last 8 years that the extraordinary Luna tribe is made up of individuals only disguised as ordinary people.

In reality we are free thinkers confident enough to follow our hearts and instincts; artists who derive meaning from visual symbols that, like music, speak a universal language; intuitive women, men, children who know that small things actually are the big things; musicians who want our instruments to reflect our individuality; citizens of the world who believe we can make a difference and are involved in advancing the greater good in our own back yards; local anthropologists who honor and celebrate both our own culture and the cultures of others; human beings who value authenticity, who challenge the status quo.

Here we like to think that the Luna tribe has been drawn together by instruments that merge form and function, that engage the senses and fire the imagination. if you’re already a Luna player, we send our sincere thanks for putting your faith in us. if you are not, we hope you will consider joining the Luna tribe!

front 2011

inside1

inside3

inside5

back 2011

view the entire 2011 catalogue here

2012

By 2012, our Luna tribe had grown by leaps and bounds. The 2012 catalogue posed question….how will YOU make your mark in this world, drawing it’s inspiration from an actual photograph of an Argentinian cave painting. We continued our use of lifestyle photos….this time in elegant black and white. We also added feature pages that allowed the detail work on our instruments to be better appreciated.

Yvonne’s letter for 2012.

Our hands play and make, comfort and caress. Our hands make music for us, make artists of us. Our hands communicate age, gender, ethnicity, occupation, and hint at our characters and histories. Our hands are powerful ~ transforming unseen energy into the world of form. Indeed, the word manifestation grows out of the Latin root manus ~ or hand.

The hands of our Luna Tribe are diverse and strong. And there are countless and unique ways that we express this power through music. Music is entertaining. Music is recreational. Music is therapeutic. Music is educational. In all of its incarnations…Music is good medicine!

The handprints on the front and back cover are from a cave in Patagonia, Argentina. The mysterious hand prints were made some 9,000 years ago using bone pipes to spray color on the wall around each hand. Humans in these caves literally made their mark.

How will you make yours?

We can’t all be celebrities. What can each of us do with our music that will resonate and radiate? We can teach a child to play. We can play for our loved ones. Play for our place of worship. Play for a hospital. Play for a school, a nursing home, a hospice, a homeless shelter, a psychiatric facility, a prison. We can organize or perform for a non-profit benefit event. We can donate unused instruments so life can be breathed into them again. We can play for our own inner peace. What ever it is, only you can do it. It doesn’t have to be a huge thing….

Naomi Shihab Nye put it beautifully:

I want to be famous in the way a pulley is
famous, or a buttonhole, not because it did
anything spectacular, but because it never
forgot what it could do.

Luna invites you, you out there reading these words, to remember what only you can do to make your mark through music.

Welcome to the tribe!

2012 cover

2012 henna ls

2012 Henna feature

2012 Muse lifestyle

2012 back

view the entire 2012 catalogue here

2013

In 2013 we continued our trajectory of using everyday players throughout out catalogue spreads.
Some photos were sent in by players and others were taken spontaneously on the streets of our hometown. In fact, the model playing our six string uke in his cubicle was the designer for our catalogue!

Yvonne’s letter for 2013

American poet Mary Oliver ends her poem, Summer Day, with these lines:

“Tell me, what is it you plan to do with your one wild and precious life?” …

More likely we ask ourselves, if money were no object, what would I do with
the rest of my life? However you answer these questions, I would urge you
to listen to yourself! Begin now, and pursue your answer with all your heart.
If your answer is music, or any art form, you may struggle with another
question: “am I good enough to call myself an artist?” Let me counter.
“Does this calling make me come alive?” If the answer is yes, your art will be
worthy – and joyous.

If keeping your day job is a necessity, then spend your laboring hours
remembering why you work, and what it is you labor for. Remembering
what sets your soul on fire. Art is work, too, so you know in your bones how
work can be made into art. No matter what you do, put your heart, mind
and soul into the smallest details of it. The flow from your work to your
art – and back again – may surprise you. All your days and your nights may
become a kind of fiery play. And the results of your effort may change much
and many around you.

Be daring. Be impractical. Be bold. Do the thing that excites and compels
you, the thing that scares you. Fuel the practice of your craft with
authenticity and openness. Manifest the music you were born to play, the
canvases you were meant to paint, the pages you were destined to write.
Your one precious life is yours alone. Pay attention to your fire, to your
ache, to your most courageous heart.

Tell me, what is it you plan to do with your one wild and precious life?

2013 cover

2013Bernie

2013 safari

2013 Vintage

2013 Chris

2013 back

view the entire 2013 catalogue here

2014

During 2013 we held a contest that encouraged players to create Pinterest boards in the spirit of Luna. We were overwhelmed by the enthusiastic response and learned a lot from the resulting boards. Some common motifs in both words and images were “freedom”, “bohemian”, “family”, “uniqueness” , “diversity”. So to reflect this vision back to our “Tribe” we envisioned a front and back cover comprised of a diverse group of musicians making music together around a vintage VW van. We had so much fun with the shoot that we kicked off 2014 with a corresponding contest with airfare to Florida for 2, 5 days in a fully stocked VW van and 2 Luna ukuleles to play along the way!

Yvonne’s letter for 2014

“Sacred space and sacred time and something joyous to do is all we need. Almost anything then becomes a continuous and increasing joy” – Joseph Campbell

Because you are reading this catalogue, the “something joyous to do” in
the equation above is probably music. Most of us have day jobs. That’s a
fact. Here at Luna, there are many amazing musicians working 9:00-6:00…
a reality that a large number of us cannot escape. So, we must create the
other two factors in the equation – sacred time and sacred space – with
conscious intent.

Sacred space can take many forms. It can be as small as a conscious breath,
as large as the universe… and anything in between. My own sacred space,
created for my qigong/tai chi and meditation practice, exists in what used
to be my stained glass studio of 20 years.
The process of creating it was an unforgettable experience, because
friends came together and we used what I already had… what was given to
me, what I loved, what inspired me, and what made me feel passionate –
and therefore more alive. It was about making a part of myself visible.
Take a look around and see how you can use the physical area you have to
create sacred space for your own explorations. If you can devote a room,
fill it with not only what is necessary for musical functionality, but also with
visuals, scents and textures that feed your soul. If it’s only the corner of a
room, treat it the same.

Sacred time is the last element. Whatever time you are able to devote,
make sure it is conscious and consistent. If that means hanging a sign on
the doorknob that says “deep play in progress”, then do so. And make sure
your near and dear ones understand what this means to you.
Uninterrupted flow is necessary for any creative endeavor. I encourage you,
for 2014, to find a way to keep this process alive. For creative souls, it is not a
selfish luxury; it is a necessity… as necessary as the air that we breathe.

I wish you continuous and increasing joy.

lunacollection2014_120813_frontandback copy

2014 front

2014 inside

2014 inside2

2014 inside 3

2014 inside4

2014 back

view the entire 2014 catalogue here

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artdeco
The Great Gatsby is going gangbusters in the theaters, its lush Art Deco setting having a great influence on current fashion and design.

Art Deco was an influential design style which first appeared in France during the 1920s and flourished internationally during the 30’s and early 40’s. It is an eclectic style influenced by machine age imagery and materials. One of Deco’s major attributes is an embrace of technology which distinguishes it from the organic motifs favored by its predecessor Art Nouveau. The style is often characterized by rich colors, bold geometric shapes, and lavish ornamentation.

The fingerboard and rosette ornamentation on Luna’s all solid Art Deco guitar was inspired by Deco’s strong geometry.
artdeco neck

During its heyday Art Deco represented luxury, glamour, exuberance, and faith in social and technological progress. It was a time of energy and excitement. Folks were willing to make bold, new statements with their art, wardrobe, home decor, architecture and automobiles.

ARCHITECTURE

These were the buildings of the future: sleek, geometric, dramatic. With their cubic forms and zigzag designs, art deco buildings embraced the machine age. Yet many features of the style were drawn from ancient history. The very shape of these buildings expresses a fascination for orderly forms and primitive architecture. The early Art Deco skyscrapers suggest Egyptian or Assyrian pyramids with terraced steps rising to the top.

Perhaps the most famous example is New York’s Chrysler Building designed by William Van Alen. Briefly the world’s tallest building, the skyscraper is adorned with eagle hood ornaments, hubcaps and abstract images of cars. Other Art Deco architects used stylized flowers, sunbursts, birds and machine gears.

Chrysler Building

Chrysler Building

Chrysler Building detail

Chrysler Building detail

Chrysler Building Detail

Chrysler Building Detail

355 Burraud - Vancouver

355 Burraud – Vancouver

Paris Art Deco

Paris Art Deco

Mauretania 1934

Mauretania 1934

classic South Beach

classic South Beach

INTERIORS

cast iron entrance Domus on Madison NYC

cast iron entrance Domus on Madison NYC

Lobby Empire State Building

Lobby Empire State Building

metal work Chanin Building NYC

metal work Chanin Building NYC

Ventillation grille - Goelet Building NYC

Ventillation grille – Goelet Building NYC

AUTOMOBILES

A radical era in automobile design that spawned sleek, streamlined cars with unique aeronautical names.

Delahaye 175

Delahaye 175

1937 Delahaye Type 135

1937 Delahaye Type 135

The 1939 Graham "Spirit of Motion."

The 1939 Graham “Spirit of Motion.”

1925 Rolls Royce Phantom I Jonckheere Aerodynamic Coupe

1925 Rolls Royce Phantom I Jonckheere Aerodynamic Coupe

Deco Cadillac

Deco Cadillac

Blasolene Decoliner

Blasolene Decoliner

Not a car but a Henderson Motorcycle

Not a car but a Henderson Motorcycle

EVERYDAY OBJECTS

Deco pen

Deco pen

1930's perfume bottle

1930’s perfume bottle

Auguste Bonaz 1925

Auguste Bonaz 1925

Royal Doulton Art Deco TANGO tea set

Royal Doulton Art Deco TANGO tea set

Art Deco Paul Schreckengost Tea Pot, 1938.

Art Deco Paul Schreckengost Tea Pot, 1938.

Deco letter box

Deco letter box

FASHION
Defined by the women’s liberation movement, a prosperous economy, and key improvements in technology, all of which led to the development of a whole new way of life – a life of progressive modernity, luxury and leisure.

Greta Garbo 1920's

Greta Garbo 1920’s

Bebe Daniels

Bebe Daniels

Mariane Morehouse in Chanel for Vogue

Mariane Morehouse in Chanel for Vogue

Vogue 1928

Vogue 1928

circa 1920

circa 1920

1920's ~The Costume Heritage Museum ~ Madrid

1920’s ~The Costume Heritage Museum ~ Madrid

JEWELRY

Tiffany - Art Deco lady’s wristwatch

Tiffany – Art Deco lady’s wristwatch

Art Deco coral, diamond and emerald ear pendents by Cartier

Art Deco coral, diamond and emerald ear pendents by Cartier

Early Art Deco briolette cut aquamarine and diamond pendant, French 1920

Early Art Deco briolette cut aquamarine and diamond pendant, French 1920

Art Deco Pendant Chromium plated brass Glass French, c.1930.

Art Deco Pendant Chromium plated brass Glass French, c.1930.

French Art Deco necklace with sapphire and diamonds, c1930

French Art Deco necklace with sapphire and diamonds, c1930

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Luna's Craftsman Guitar

Luna’s Craftsman Guitar

The Craftsman style is an architectural, interior design, landscape design, applied arts, and decorative arts style and lifestyle philosophy that began in the last years of the 19th century. As a comprehensive design and art movement it remained popular into the 1930s. However, in decorative arts and architectural design it has continued with numerous revivals and restoration projects through present times.

The American Craftsman style has its origins from the British Arts and Crafts movement which began as a philosophy and artistic style founded by William Morris earlier in the 1860s. The British movement was a reaction to the industrial revolution, with its disregard for the individual worker and degradation of the dignity of human labor. Seeking to ennoble the craftsman once again, the movement emphasized the hand-made over the mass-produced.

The British movement was a response to the Victorian, but the Arts and Crafts style’s arrival in the United States was precisely at the moment when theVictorian era was coming to a close. The American Arts and Crafts Movement also encouraged originality, simplicity of form, local natural materials, and the visibility of handicraft. It was distinguished by being concerned with ennobling the modest homes of the rapidly expanding American middle class, which became the Craftsman Bungalow style.

Dard Hunter

Dard Hunter was an American Arts and Crafts designer whose designs for books, leather, glass and metal helped unify the Roycroft product line and distinguish it from that of other American Arts & Crafts enterprises. His highly recognizable Rose motif was the inspiration for Luna’s Arts and Crafts guitar.
Detail

Roycroft Magazine

Roycroft Magazine

Dard Hunter Book Cover

Dard Hunter Book Cover

Dard Hunter Stained Glass Design

Dard Hunter Stained Glass Design

Dard Hunter Tiles

Dard Hunter Tiles

Architecture

The “Prairie School” of Frank Lloyd Wright and other architects in Chicago, the bungalow and ultimate bungalow style of houses popularized by Greene and Greene are some examples of the American Arts and Crafts and American Craftsman style of architecture.

Stickley's Log Home

Stickley’s Log Home

Duncan Irwin

Duncan Irwin

Gamble House 1

Gamble House 1

Gamble House 2

Gamble House 2

Advertisement for small Bungalow

Advertisement for small Bungalow

Small "middle-class" Bungalow

Small “middle-class” Bungalow

Interior Design

The Arts and Crafts style initiated a variety of attempts to reinterpret European Arts and Crafts ideals for Americans. These included the Craftsman-style furniture, and other decorative arts such as designs promoted by Gustav Stickley in his magazine, The Craftsman. Furniture and decorative arts were meant to be not only beautiful but functional, in harmony with nature, timeless and built with integrity.

Craftsman Interior Drawing 1

Craftsman Interior Drawing 1

Craftsman Interior Design Drawing 2

Craftsman Interior Drawing 2

Craftsman Interior Drawing 3

Craftsman Interior Drawing 3

Gamble House Interior 1

Gamble House Interior 1

Gamble House Interior 2

Gamble House Interior 2

Gamble House Stair Detail

Gamble House Stair Detail

Gilliand House 1

Gilliand House 1

Gilliand House 2

Gilliand House 2

Greene & Greene Duncan-Irwin House

Greene & Greene Duncan-Irwin House

Greene & Greene Thoorsen House

Greene & Greene Thoorsen House

Greene & Greene

Greene & Greene

Gustaf Stickley Home

Gustaf Stickley Home

Gustaf Stickley Home 2

Gustaf Stickley Home 2

Applied Arts

Ginko Leaf Tile

Ginko Leaf Tile

Acanthus Leaf Wallpaper

Acanthus Leaf Wallpaper

Celtic Knot Wallpaper

Celtic Knot Wallpaper

William Morris Trellis Wallpaper

William Morris Trellis Wallpaper

Stickley Highlans Park Carpet

Stickley Highlans Park Carpet

Decorative Arts

Craftsman Pottery

Craftsman Pottery

Craftsman Lamp

Craftsman Lamp

Stickley framed tile

Stickley framed tile

Stickley Copper Work

Stickley Copper Work

Edward Burnes Pamona Tapestry

Edward Burnes Pamona Tapestry

William Morris Birds Tapestry

William Morris Birds Tapestry

Glass

Stickley Style Glass

Stickley Style Glass

Greene & Greene Glass

Greene & Greene Glass

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Songwriting in Character


Tip from Mary Amato: Try Character-Based Songwriting

Mary Amato has multiple personalities. She is an award-winning novelist and songwriter who often takes on the roles of her characters. Her books Guitar Notes http://thrumsociety.com/and The Naked Mole-Rat Letters both feature music and a forthcoming novel will include original songs on uke. In her book Guitar Notes, the main character, Lyla, picks a Luna as her first guitar. Mary plays her Luna Safari on book tours. Here she talks with Luna about her process.

How does writing fiction influence your songwriting?
You have to get “into character” to write fiction. I do it with songwriting, too. It’s liberating to shed your own ego, dive into the soul of another person, and see the world from that point of view.
How do you get started writing a character-based song?
First, imagine a character. This can be someone you have invented, or you could be inspired by a stranger or a person in a photograph or painting. Next, make a choice about whether you’re going to write in “first person” or “third person.” If you pretend you are the person and you are using “I,” then you’re writing in first person. If you’re singing about the character and use “she” or “he,” then you’re writing in third person.

Can you give examples?
Sure. John Prine put himself in a woman’s shoes to write “Angel from Montgomery” which has been covered often. “I am an old woman named after my mother…” That’s a first-person, character-based song. Paul McCartney chose third person to write about the Eleanor Rigby in his classic song. “Eleanor Rigby picks up the rice in the church where a wedding has been…”

You can read the full lyrics to both of these songs at the end of this blog.

What tips do you have for songwriters who want to try writing character-based songs?
Try one of these brainstorming ideas and then use the raw material that you come up with to craft your song.
• Write a diary entry as if you are the character.
• Interview yourself as the character. Ask all kinds of questions: What do you love? What are you afraid of? What makes you smile?
• Take a walk, imagining that you are the character and allow yourself to think the thoughts of that character. Jot down all your thoughts when you return.

Let go of any inhibitions you might have and enjoy!

Angel from Montgomery video and lyrics 

I am an old woman named after my mother
My old man is another child that’s grown old
If dreams were lightnin’ and thunder were desire
This old house would’ve burned down a long time ago

Make me an Angel that flies from Montgomery
Make me a poster of an old rodeo
Just give me one thing that I can hold onto
To believe in this livin’ is just a hard way to go

When I was a young girl, well, I had me a cowboy
Weren’t much to look at just a free ramblin’ man
But that was a long time and no matter how I try
The years just flow by like a broken down dam

Make me an Angel that flies from Montgomery
Make me a poster of an old rodeo
Just give me one thing that I can hold onto
To believe in this livin’ is just a hard way to go

There’s flies in the kitchen, I can hear ’em in there buzzin’
And I ain’t done nothin’ since I woke up today
How the hell can a person go to work in the mornin’
And come home in the evenin’ and have nothin’ to say?

Make me an Angel that flies from Montgomery
Make me a poster of an old rodeo
Just give me one thing that I can hold onto
To believe in this livin’ is just a hard way to go
To believe in this livin’ is just a hard way to go

Eleanor Rigby Lyrics Video

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Natalie Goldberg’s “Writing Down the Bones…Freeing the Writer Within” is a remarkable book for all kinds of writers. Aspiring or established songwriters can get lots of inspiration for lyrics and develop their craft by following her no-nonsense, informal advice.

Here are some inspirational quotes from her book that you can apply to songwriting or to life:

“We are important and our lives are important, magnificent really, and their details are worthy to be recorded. This is how writers must think, this is how we must sit down with pen in hand. We were here; we are human beings; this is how we lived. Let it be known, the earth passed before us. Our details are important. Otherwise, if they are not, we can drop a bomb and it doesn’t matter. . . Recording the details of our lives is a stance against bombs with their mass ability to kill, against too much speed and efficiency. A writer must say yes to life, to all of life: the water glasses, the Kemp’s half-and-half, the ketchup on the counter. It is not a writer’s task to say, “It is dumb to live in a small town or to eat in a café when you can eat macrobiotic at home.” Our task is to say a holy yes to the real things of our life as they exist – the real truth of who we are: several pounds overweight, the gray, cold street outside, the Christmas tinsel in the showcase, the Jewish writer in the orange booth across from her blond friend who has black children. We must become writers who accept things as they are, come to love the details, and step forward with a yes on our lips so there can be no more noes in the world, noes that invalidate life and stop these details from continuing.”

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“If you are not afraid of the voices inside you, you will not fear the critics outside you.”

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“Play around. Dive into absurdity and write. Take chances. You will succeed if you are fearless of failure.”

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“Stress is basically a disconnection from the earth, a forgetting of the breath. Stress is an ignorant state. It believes that everything is an emergency. Nothing is that important. Just lie down.”

Just lie down!!!!

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She urges writers, above all, to keep a notebook and write every day.
The process of writing in a book is a different process than writing on a keyboard. Find a pen you like and choose cheap spiral notebooks that aren’t intimidating to write in. Recording your thoughts, no matter how mundane or how wild, will give you lots of grist for the mill. You can start with 10 minutes and increase your time each week. The time doesn’t matter… just do it. And here are 6 powerful rules to help your practice:

1. Keep your hand moving. (Don’t pause to reread the line you have just written. That’s stalling and trying to get control of what you’re saying.)
2. Don’t cross out. (That is editing as you write. Even if you write something you didn’t mean to. Leave it.
3. Don’t worry about spelling, punctuation, grammar. (Don’t even care about staying within the margins and lines on the page)
4. Lose control.
5. Don’t think. Don’t get logical.
6. Go for the jugular. (If something comes up in your writing that is scary or naked, dive right into it. It probably has lots of energy.

Keep at it. What you don’t use now could be inspirational years from now.

Intrigued? Find out more at nataliegoldberg.com/ Definitely worth the read!

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Chances are you own a camera. You may not think it’s optimal for making beautiful portraits, but you’ll be surprised. Try this list of tips for getting a worthy shot of you and your Luna.

Kristen Porter

1 – Plan It. Luxuriate in the task. Think it through. Decide if you want a torso or full body shot. Do you want a
recognizable background or stream of light? Might you need a prop or two?

2 – Set it. Match the shot in your mind with the perfect setting: sky, water, a wall, an alley, a staircase, a spit of sand.
Whatever you choose, don’t lose yourself and your instrument in the background.

3 – Dress up (or down). Reflect your personality and style. Set off your instrument.

4 – Find your mood. In every photo session there is an element of mood. Where’s that emotional place you go when you
play music? How do you get there? Incorporate the journey.

5 – Pose & Frame. Hold your instrument naturally and try several things. Play. Move. You and your photographer will
both be moving as you look for the angle that frames you and your instrument. It is possible to have the instrument
connected to you without actually playing.

6 – Light. To insure a clear and sharp picture try to get as much light as you can on the subject (you!). Avoid shadows
in the picture frame. Also, make sure the camera is held as still as is humanly possible or use a tripod.

7 – Take lots of pictures. Take luxurious amounts of time. In-between each shot, change something. Move slightly, or
change an option on the camera. Or change the lighting slightly. Anything. Completely fill the memory of your camera. Or
even better, stop and download, erase and start again. The more pictures you take, the greater the odds that you’ll find
something among the many that is really, truly you.

We would love to see what you come up with and will post the most creative results in next month’s newsletter!
Please mail your favorites to yvonne@lunaguitars.com.

Here are a few more inspirations to get you started….all different vibes!

Zac Holtzman - Dengue Fever

Paz Lenchantin

Haley Phelps

Julianne

Carol Wedgewood

Roland Gallus

Tyler White

Rachael Pearl


Morgan Taylor


Risa Hines


Bernie Travis


Taylor

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NAMM – Day 3

The good news…..Luna has had an AMAZING show! The booth has been packed for the past few days and we have gotten some great feedback and lots of orders. The bad news…..we were so busy walking dealers through our new product line that I hardly had time to take any pictures. Here are a few that I managed to snap today.

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Day before the show!

The last post was about gearing up for NAMM….here is a photo narrative of setting up the booth the day before.




















STAY TUNED!!!!!!!!

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